A Second Home
In memory of Eva Beaupre, 1897 –1976
A morning without color, raw, damp, and gray. Early in the season on a day like this, some forty years ago at Wells Beach, Maine, the cool air would have held a palpable faint drizzle, constant on the skin. You would have stepped up a short wooden flight of stairs that led from the windy, roaring beach, your hair in tangles, your nose running, your soaked sneakers crusty with sand and salt. And stepping now into the sheltering grassway between two shore-front cottages, on your way to crossing the paved but narrow road back to you grandmother’s, you would have noticed, without seeming to, how the seething surf sounds, and the seaweed scent, and the wind, always the big wind that on the beach had battered your back one way and made your eyes stream the other, and which had held aloft the trembling kite at the end of its taut string, were suddenly lost and gone — as you had been, only moments before, in pauses and surges of white sound, as the gusts which set the scattered seaweed quivering caught and thundered at your hood and collar, while wave on wave murkily gathered, held, crashed, then scurried whisperingly to the shore at foamy, broken angles.
But now you were quickly returning, coming to yourself — and the sparse punctuation of familiar sounds scattered in the easy, warming air: the low, diminishing drone of a station wagon at fifteen or twenty cautious miles an hour; the faint tap tap tapping of a hammer somewhere; a screen door slamming once in the brightening distance. And crossing the little road, whose pebbly, sandy shoulders you and your cousins would walk barefoot that summer to the corner market for a glider airplane or a candy bar, you would have sensed, without seeing, how the new day had grown a lighter shade of gray and the drizzle become finer than it was.
Inside her tiny cottage, my grandmother, who never went down to the beach, was everywhere and nowhere. She was implicit to the aroma of coffee in the brisk air when you woke up in a bed that was your very own for as long as you slept there. She was in the tones of quiet conversation and lilting laughter with your aunt or mother that you heard unhearingly as you hurried past the kitchen table. And she was in the silence late at night as she lay sleeping in her room off the kitchen while you read from the yellowed pages of one of her old mystery novels.
But what I remember most of all about my grandmother is the sense of being noticed. To eat at her table was to share a meal. To ride in her car was to take a trip together. To speak was to be heard, and with a quiet interest, attention, and respect that came straight at me, level, without a trace of anything hidden or condescending. I had never experienced anything quite like it when moving in the world of adults. As a child, I took this to mean that I was something special in her eyes — and I was — without understanding back then how my sister and cousins, as free as I to play in the ocean, were getting just as wet. And if those cousins became, in any sense, our sisters and brothers — and I know they did — it is because together we shared the embrace of a larger element, a second home built on the scale of the sky or sea, where every summer it was possible to lose ourselves, come into ourselves, and find each other.
A morning without color, raw, damp, and gray. Early in the season on a day like this, some forty years ago at Wells Beach, Maine, the cool air would have held a palpable faint drizzle, constant on the skin. You would have stepped up a short wooden flight of stairs that led from the windy, roaring beach, your hair in tangles, your nose running, your soaked sneakers crusty with sand and salt. And stepping now into the sheltering grassway between two shore-front cottages, on your way to crossing the paved but narrow road back to you grandmother’s, you would have noticed, without seeming to, how the seething surf sounds, and the seaweed scent, and the wind, always the big wind that on the beach had battered your back one way and made your eyes stream the other, and which had held aloft the trembling kite at the end of its taut string, were suddenly lost and gone — as you had been, only moments before, in pauses and surges of white sound, as the gusts which set the scattered seaweed quivering caught and thundered at your hood and collar, while wave on wave murkily gathered, held, crashed, then scurried whisperingly to the shore at foamy, broken angles.
But now you were quickly returning, coming to yourself — and the sparse punctuation of familiar sounds scattered in the easy, warming air: the low, diminishing drone of a station wagon at fifteen or twenty cautious miles an hour; the faint tap tap tapping of a hammer somewhere; a screen door slamming once in the brightening distance. And crossing the little road, whose pebbly, sandy shoulders you and your cousins would walk barefoot that summer to the corner market for a glider airplane or a candy bar, you would have sensed, without seeing, how the new day had grown a lighter shade of gray and the drizzle become finer than it was.
Inside her tiny cottage, my grandmother, who never went down to the beach, was everywhere and nowhere. She was implicit to the aroma of coffee in the brisk air when you woke up in a bed that was your very own for as long as you slept there. She was in the tones of quiet conversation and lilting laughter with your aunt or mother that you heard unhearingly as you hurried past the kitchen table. And she was in the silence late at night as she lay sleeping in her room off the kitchen while you read from the yellowed pages of one of her old mystery novels.
But what I remember most of all about my grandmother is the sense of being noticed. To eat at her table was to share a meal. To ride in her car was to take a trip together. To speak was to be heard, and with a quiet interest, attention, and respect that came straight at me, level, without a trace of anything hidden or condescending. I had never experienced anything quite like it when moving in the world of adults. As a child, I took this to mean that I was something special in her eyes — and I was — without understanding back then how my sister and cousins, as free as I to play in the ocean, were getting just as wet. And if those cousins became, in any sense, our sisters and brothers — and I know they did — it is because together we shared the embrace of a larger element, a second home built on the scale of the sky or sea, where every summer it was possible to lose ourselves, come into ourselves, and find each other.








26 Comments:
Thank you!
That was a long time before blogging existed. Then last night, for some reason, this short form of it came to mind and I realized it was just right for a post -
Keshi.
Grandparents (if you are lucky) take advantage of the knowledge that they have gained and an appreciation for whatever time is left.
The tranquility that you felt will never leave you. You were so very lucky to have had such a magical and meaningful love. That was especially touching.
I love the bit about her being everywhere and nowhere. I know exactly what you meant. It's like she is the house...she is the surroundings.
Really beautiful. Thank you.
You are fortunate to be able to understand this and put it into words, and you have blessed us by sharing this experience with us!
I am trying to imagine how she could live by the beach and "never go there"--"c'est fous, ca!"
But I never before knew how much I had to say on this subject, and I still haven't told you my most shocking cow story. That may be overstating it, but still...
FIREBIRD: Glad you liked it, and arthritis/poor balance - that's why I rarely if ever saw her on the beach all the time I knew her. She was already about seventy by the time I was ten.
These are beautiful memories of your grandmother. Beautifully written! You made the wind come alive for me. I could almost feel it blowing against the back of my neck and in my face threatening to rob me of my very breath.
I haven't written a piece yet about my grandmothers and my great-grandmothers. I must do it. There is so much to tell about them. I want to preserve my memories of them for my own grandchildren to enjoy. Thanks for the inspiration.
This piece was really fun for me to write. It's maybe a third the length of the original, which is better, but I thought too long for a blog post.
I wrote it many years after my grandmother died. It started as a journal entry. I'd come in from jogging early one morning very early in the spring and it was a foggy, drizzly day. I felt saturated and sort of chilled by the moisture, but also refreshed and suddenly I was reminded of how it had felt to be at the beach, where you often had that sort of drizzly weather in the mornings.
I spent my whole writing time that morning working on the essay and by the time I was through, that was the closest I'd felt to being with my grandmother at the cottage, each of which is now gone, in twenty years. It felt as if I'd made a trip there.
I have missed reading you the past few months. I have a lot of catching up to do!
Love,
Paul
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